A Tale Told by Trees




The painting above documents both continuity and change of this landscape. 
tie this landscape to theclio here. 

However, at first glance it seems like a very dark painting hard to see anything. 

If you click on the image to enlarge it, and after a while, a bit of study, observation, looking to notice the groups of people in the foreground (the lower third of the painting). 

Just above the horizon are landscape features shrouded in shadow (middle third of the painting). 

with a sunset glowing from behind the mountains at the top. 

Entitled The Rigor of the Game, Kearsarge Hall, North Conway, New Hampshire, More info on the painting can be found on the Brooklyn Museum website here

Inness is known for his evocative and enigmatic paintings. According to Wikipedia, Inness had a prolific career that spanned more than forty years and 1,000 paintings, his works consistently earned acclaim for their powerful, coordinated efforts to elicit depth of mood, atmosphere, and emotion. 

Neither pure realist nor impressionist, Inness was a transitional figure who intended for his works to combine both the earthly and the ethereal in order to capture the complete essence of a locale. 

A master of light, color, and shadow, he became noted for creating highly ordered and complex scenes that often juxtaposed hazy or blurred elements with sharp and refined details to evoke an interweaving of both the physical and the spiritual nature of experience. 

In Inness's words, he attempted through his art to demonstrate the "reality of the unseen” and to connect the "visible upon the invisible."

According to the White Mountain Art website here, Inness was fond of New Hampshire and kept a studio on the second floor of the North Conway Academy for several years before 1876.

while I agree Inness avoided the photographic realism of his predecessors, and contemporaries, I contend that he is in fact quite accurate and may have used photography in preparing his paintings. 

copy more from white horse ledge blog too? 
 
To outline my argument, I used computer software to lighten the image.  
For better clarity I have used computer software to lighten the image... below. 
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The Brooklyn Museum website includes a black and white version, which also makes it easier to view some of the details. 


The painting bears a remarkable resemblance to a photo by Nathan W. Pease, in the collection of the Conway Historical Society accession #x  
(coincidence or not?). is the photo dated? 
The photographer worked across the street from where the artist had a studio. 
Here is a detail of the photo. 


Notice how the two mountain peaks on the left line up (Cathedral Ledge in the front and Moat Mountain in the back) in both the painting and the photo.  

Let your eye follow the boardwalk towards the mountains and near the end just on the left locate a telegraph pole with wires strung on either side.  Here is a closer view of that part of the photo. 


On the right side of the boardwalk just before the steam rising from the train engine you can see another pole that looks like it might have a birdhouse on top. This may have been a train signaling device. Some of these still exist in the rail yard here. 
 
Both of these poles can be also be seen in the painting.  


The steam engine and the wooden sided freight cars it is pulling are similar to those in the painting. 

Note: It is hard to see the cars in the painting as he only scumbled in the suggestion of the train cars. However, if you look closely in the color version below (which I lightened even more), you can see the horizontal and vertical boards of the freight cars. 

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Now look at the first building on the right in the photo with a flat facade and four tall windows. The building in the painting includes three of those windows. 

This is where Inness stopped. He chose not to illustrate the passenger station. 

Here is the entire photo which did include the passenger station. 


The main passenger station was built in 1874 and is one of the few buildings in the area listed on the National Register of Historic Places. You can read the text of the nomination form here and see the photos here




005 bob noco p. 13 copy text to here
the board walk went from the Kearsarge Hotel to the train station. 
notice steam or smoke from coal fired, steam engine 

This photo produced by Nathan W Pease, who had his shop across the street, where Zeb's is now. 
more on this is a later future blog. 
part of a stereoview? is the photo dated? 

Bachelder board walk 

bottom of the photo can see the tracks leading to the curve of the turntable 
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new fire station blocks the view 
however, it you go and crane your neck around ... 
and move back and forth you can line up the bit of the building on the right as the roundhouse for what is now the Conway Scenic Railroad. As the orientation details of the current building probably replaced the earlier building seen in the painting and the photos. 

In the painting three central figures are playing golf (some say croquet, but the golf course began 187?).  
see emerson, reporter news, nothing in hounsell, 


In either case, I argue, contend, thesaurus that this is not the real game referred to in the title of the painting. 
more on that later, in the conclusion 

I was trying to line up the landscape features to figure out where the understand the viewpoint, While not apparent at first, I conclude that Inness is surprisingly accurate in his rendering of the scene. 

Following a few clues, a little history, I find that Inness has hidden Cathedral Ledge ... in the haze
If you look closely, you can see that he has hidden Cathedral Ledge in the haze. 



xalso the cathedral ledge blog previous? 

see previous blog/s here, ... and Valley Vision Reel History here for more on Cathedral Ledge. 
or is this Whitehorse Ledge? 

try to line it up with peak of mt above it
and line it out on a map
and compass 
whitaker compass, 
take and insert better picture from behind the train station? to match this up? 

Inness was a master at rendering atmospheric effects in paint. 

While the setting sun creates a haze, glare of the light, strong, almost smoky ledge in shadows, obscures to details in this color version, a black and white version offers more clarity 


In another painting he put the peak of Humphrey's Ledge in the clouds, looking across the Saco River from near Kearsarge Village previous blog here

While Inness liked to buck the older fashion of landscape near photographic realism, I suggest he did paint accurately, effects of light, shadow, clouds 

I argue that he was in fact extremely accurate, just hard to see it at first glance, for example, look at the details he included in this part of the painting such as the building on the right which we will see later matches period photos, (click on images to enlarge them). 
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compare with this detail of a photo we will look at later 
even the utility poles 




the boardwalk leads to a the utility poles , notice a second pole to the right with what looks like a bird house on it, maybe a train signal? 


perhaps something like this photo from the national register nomination form 
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smoke or steam coming from a pipe on the top corner of that building, 
the supports under boardwalk, and telegraph poles, lines 
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he scumbled in the suggestion of train cars 

or through scumbling he has suggested the train cars


look at the evening glow from behind the trees, the different shades of color in the grass, perhaps where some areas watered and cared for more than others? 


While the setting sun creates a haze, glare of the light, strong, almost smoky ledge in shadows, obscures to details in this color version, a black and white version offers more clarity 

explore series of maps
layering of history 
1860 map only the location of the North Conway Academy and the Kiarsarge House not even show the train line or station as train line not built before 

below is detail showing 


overall for geo-reference showing Champney studio on the south to Whitaker house and beyond. Pease on this? 


1880 map published White Mountain Echo, July 27, 1885, p. 12. 
detail 

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1880 map published White Mountain Echo, July 27, 1885, p. 12. 
notice Academy and Pease's Photographic. 
pulled back a bit, showing from Champney studio in the south/bottom to the Whitaker house in the north. 
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entire map for reference geo-reference 


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below 1892 map detail 
The Kearsarge, and RR. STA (railroad station), ENG HO (engine house) 
the Academy gone? 


also shows N.W. Pease, and the Kearsarge, but not the Academy
 overall 1892 map for reference 






scan and insert sanborn maps 

1908 sanborn shows 

1923 sanborn shows distinctive curve facing the turntable
insert pic

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train station was there but not depicted on 1908 sanborn, but is on the 1923 sanborn 
scan at the elh, did I do that? 
need to copy to hhr shared if did or when do 
insert the map again? 
see sanborn? 
1908 only digital 
1923 paper copy 

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Now let's look at the boardwalk 
board walk also seen in this photo, source, bob noco p. 13, image 005, copy text  




005
the board walk led arriving passengers from the train station to the Kearsarge House Hotel. 
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the boardwalk led to the premier hotel in the area, The Kearsarge

compare to photo p. 47 of North Conway Village NHDHR survey in this folder here

you can see the barn, buildings to the right of the train station
these featured in sketches by huntington, cooper hewitt 


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look again at this postcard of the Kearsage House, 

insert here or there about the nhhs pease stereo
here 

pease also published a stereoview of the boardwalk looking from the train station to the Kearsarge House here
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The boardwalk's practical function insert pics baggage cart, trunks, etc. 




sketches from small 1873 watercolor and pencil artwork by John Badger Bachelder at the NHHS bachelder, famous for civil war maps, etc. here
for more on the artist here

while practical function ... The Inness painting shows a more social and cultural function of the boardwalk. 

The true game depicted is the conspicuous consumption, the evening promenade, show off their fashionable dresses. 

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With rough, simple, quick but adroit brushwork, Inness captures the finesse and finery of the fashions, clothing, list types here notice the ..
straw hats, bustles, silk top hat, tails, and umbrella all easily identifiable 
even the clothing, straw hats, bustles, black silk top hat, umbrella/parasol, coat tails, 


Let's look at that postcard of the Kearsarge again, 

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look again at this postcard of the Kearsarge House, and follow the boardwalk to the right 
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Kearsarge House replaced now with the North Conway Community Center, insert picture of that 



then see that same corner of the Kearsarge house and follow the boardwalk passes behind the North Conway Academy. 
when Hounsell say it burned? 

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The Academy now replaced with the New England Ski Museum 
this building was in fact the location of Inness studio for the year/summer x 
probably where he painted this painting 
provenance?

the distinctive shape of the steeples in this area, help id location paintings from sunset hill 
see previous blogs on this inness and sunset hill here. and here

Now what is this about trees telling a story? 

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I argue that those yellow boxes show small trees planted on either side of the boardwalk that eventually grew, can be seen in later aerial satellite photos, see below or put here 
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a line of trees was visible not that many years ago, today only two survive


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you can see the copse of trees in this aerial photo
paint in a box for that 
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and in these images from Google earth


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all but two of the trees are gone now, but they stand to tell the tale/story 




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In conclusion, I suggest the real game of the Inness painting title can be seen on the boardwalk, in the fancy hats and clothes, 
tour guide books speak of .... 
even the body language, Thorstein Veblen's theory of the leisure class published in 1899, see here


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see extensive costume/clothing, textile collection at the chs
end 

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